Monday, March 21, 2011

While there's nothing to confess, please pay attention



Last Tuesday night, my wife and I (and a half full Black Cat, which isn't a big venue in the first place) took in a show headlined by the new and percussion-less matt pond PA.  It has been year since we've been able to get ourselves out to a matt pond PA show, but I feel like the wait was worth it.  The band surrounding Matt Pond has been different each of the three times I've seen him in concert.  The first time I saw matt pond PA was in a hookah lounge that might have fit 50-100 people.  The show was energetic, sweaty, and all sorts of fun.  The second time I saw the band, they had been playing much bigger venues (bigger than 50-100 person crowds, at least) on the heels of the inclusion of a couple matt pond PA songs finding their way onto the TV show "The OC".  That second show featured a decidedly more reserved Matt Pond than the man I saw at the hookah lounge.  As I tried to put into words in my previous matt pond PA post, it was almost as if Pond was recoiling from the effect of his brilliant early work.  I said before that I see "The Dark Leaves" as a return to form and to what I see as a centered Matt Pond.  Obviously, I don't know the man and I can only speak to my interpretation of the music, but - in short - I really like what I'm hearing these days.  The show on Tuesday was a reflection of what I hear on the most recent album, a confident Matt Pond flexing some serious songwriting muscles.

As I mentioned at the beginning of this post, the current iteration of Pond's band is lacking a drummer.  They played a setlist that featured songs from the entire timeline of matt pond PA albums, but some songs, as Matt admitted "would suck without a drummer."  The songs they did play, however, were given room to breathe without the drums upping the urgency.  Often, Pond would put down his guitar and the songs would be stripped quite bare, with only a guitar and cello to hold them together.  There was a warmth in the cello that I'm not sure I've ever noticed on the albums or live.  I'd like to think that the lack of drums allowed the cello to really shine, but it could just be that I've never really listened for that warmth in a matt pond PA performance before.  Ultimately, I'm sure people's reactions to the newly tweaked sound from the band will vary, but my wife and I are firmly on board.  In a moment of what I'll believe to be sincerity during the show, Matt confessed that this is the hardest he's ever tried.  Also, as you'll see in the video below, he said its the most fun he's ever had.

I apologize for the shaky moments in the video, but I was holding the camera in one hand and my pint in the other.  Its the best I could do.  Also, I'm not tall, so you'll have to deal with some heads in the way of the band.  During the previous song, I had decided that I'd record the next song and was pleasantly surprised when that song happened to be "New Hampshire" from the fantastic album, "Emblems" and that show opener, Rocky Votolato (yes, it was a solid show from opener to encore), came up on stage to round out the band.

matt pond PA with Rocky Votolato - New Hampshire




here's a little bonus footage my wife grabbed of Rocky Votolato performing "White Daisy Passing" with matt pond PA as his backing band:

Monday, March 14, 2011

The Medicine That Everybody Wants

I'd rather spend money on concert tickets than a trip to the doctor's office any day.  Live music may be the ultimate elixir.  This past Saturday, my wife and I made the drive into DC to catch the final show of Grace Potter & the Nocturnals' winter tour.  It had been awhile since our last concert outing, we were itching to see a show, and the party that the Nocturnals were throwing hit the spot completely.

GPN set out to finish the tour off in style and hopefully melt a few faces in the process.  Their version of southern rock can range from scorching guitar driven grooves to tender organ work and we got the whole spectrum.  The crowd was on board from the moment that the band took the stage and Grace warned us "You're in for it."  I can't think of anything insightful to add.  You'll just have to check this band out for yourself whenever you have the chance.  They are well worth the price of admission and when they're done with you, you'll feel rejuvenated and ready to take on whatever the world throws at you.

Here's an overexposed phone picture from our spot above the soundboard:

And here's Grace Potter and the Nocturnals closing out their set with "Medicine" (best video and sound quality I can find from the show...we managed to bring a camera with a dead battery):

Tuesday, March 1, 2011

Human Resources is going to thank us for this later

How's this for a good time...Fitz and The Tantrums performing "MoneyGrabber" for KEXP on a Tuesday afternoon.  "MoneyGrabber" was the last song I heard on my drive into work yesterday and it made a Monday seem bearable.  Fitz is right when he's talking to the crowd.  If everyone listened to this kind of soul stirring soul before and during the workday, HR wouldn't have a thing to worry about.

Fitz and The Tantrums - MoneyGrabber